Acid Throwing Essay -- Violence

Having your face disfigured and burned in a matter of seconds is not what any woman has in mind as a consequence when they refuse to go on a date with a man. Sadly, this form of violence or â€Å"Acid Throwing† is happening in the gender-stratified or â€Å"Caste† system countries. The intent of this essay is to inform the reader what acid throwing is; how and why it happens and provide several facts about this crime. Hopefully, one of these organizations will assist these women who have been victimized, and hopefully they can lead a normal life. This is a horrific act occurring overseas in countries such as: Bangladesh, Cambodia, Pakistan, India, and Afghanistan. Nitric, hydrochloric, or sulfuric acids are thrown into someone’s face and it causes the skin to dissolve through all of the layers. The acid exposes the bones, burns the eyes, the nose and the hair is often destroyed; This results in permanent disfigurement of the victims body and emotional well being. More often than not, it is happening to women rather than men. It is one of the most degrading acts that a person could do to another individual. Why would someone do such a ghastly crime? There are many questions we have about the underlying reason of the crimes. Acid throwing is happening often because a woman did something a man did not like or something she did offended him. It doesn’t necessarily have to be a woman victim; there are reported cases of victimized men, but the rate isn’t anywhere near the women being victimized. Astoundingly, this is happening to children as young as four years old as punishment. Many cases result in acid throwing because of land disputes, family disputes, political rivalry, infidelity, broken marriage, rejection and a refusal of a relationshi... ...tp://www.licadhocambodia.org/pressrelease.php?perm=49>. 7. Martyn, Angeline. "UNFPA - Working to End Acid Attacks in Bangladesh by 2015." UNFPA - United Nations Population Fund. Web. 13 Nov. 2010. . 8. Swanson / Harvard College, Jordan. "Acid Attacks: Bangladesh's Efforts to Stop the Violence." Harvard Computer Society | People. Technology. Awesome. Mar.-Apr. 2002. Web. 14 Nov. 2010. . 9. Kirk, Gwyn. Womens Lives Multicultural Perspectives. New York: McGraw Hill, 2010. 10. "Copycat Acid Attack? - The Early Show - CBS News." Breaking News Headlines: Business, Entertainment & World News - CBS News. Web. 2 Nov. 2010. .

High School Finance Teacher

Accrual vs. Cash Basis Accounting Alicia Wiley Grantham University Abstract In this paper I have defined accrual and cash basis accounting. Also, I have answered the following questions: Explain the difference between the accrual basis of accounting and the cash basis of accounting. What are the major reasons for using accrual accounting? What are the purpose of a journal and a ledger? Give an example of a contra-asset, and explain how it is recorded on the ledger as a transaction. Explain what a â€Å"prepaid expense† is and how it is recorded on the ledger as a transaction.What are the major differences in recording transactions for a for-profit organization versus a not-for-profit, or are there any? List and record each transaction for S. Zee Outpatient Clinic under the accrual basis of accounting at December 31, 20X1, then develop a balance sheet as of December 31, 20X1, and a statement of operations for the year ended December 31, 20X1. How do capital structure rations an d liquidity rations differ in providing insight into an organization’s ability to pay debt obligations?Identify and explain two situations where an organization might have increasing activity rations but declining profitability. Explain the difference between the accrual basis of accounting and the cash basis of accounting. What are the major reasons for using accrual accounting? Cash accounting and accrual accounting are two similar methods of maintaining accurate accounting records. While the two approaches share many aspects in common, there are two key differences that distinguish each method from the other.Essentially, the difference between cash accounting and accrual accounting boils down to the way debits and credits are applied in the bookkeeping process. To understand the difference, it is first necessary to define each type of accounting process. Cash accounting, which is also known as cash basis accounting, allows for the recognition of income at the time it is ac tually received. This means that invoiced income is not counted as an asset until payment for the invoice is actually in hand. The same approach is applied to debits, in that any expenses incurred are not osted until they are paid. In contrast, accrual accounting does recognize income at the time it is earned. As goods or services are invoiced, the invoices are posted and counted as assets. They remain in this state until the face value of the invoice is credited for some reason. In like manner, any expenses are also posted at the time they are incurred or an invoice for those expenses is received, and remains open until the expenses are paid. Most mid-level and large businesses today tend to rely on the use of the accrual method rather than cash accounting.Doing so allows a business to determine at a glance how much cash is in hand, how much is currently pending in outstanding invoices, and what current expenses are awaiting payment. What are the purpose of a journal and a ledger? The purpose of the general ledger is to record all financial transactions for a company or person and total them on a net basis (plus accounts less minus accounts) for a certain time frame according to a summary chart of accounts. The general ledger provides the important information necessary for the preparation of all basic reports required by a company or individual.For example, the general ledger will allow the preparation of balance sheet reports and profit and loss reports for all accounting periods under review. This helps to explain why the general ledger is so important. Journal is used to record transactions in chronological order Give an example of a contra-asset, and explain how it is recorded on the ledger as a transaction? Contra-asset is an asset which, when increased, decreases the value of a related asset on the books. An example of a contra-asset is the Allowance for Doubtful Accounts, which is the contra asset to Accounts Receivable.Contra-asset would be recorded on the balance of the debit matched up against the contra-asset credit. Explain what a â€Å"prepaid expense† is and how it is recorded on the ledger as a transaction? A prepaid expense, such as rent or insurance, is a type of current asset. It is recorded by decreasing Cash and increasing the prepaid amount by the same amount. Thus, the transaction only occurs in the Asset section of the Balance Sheet, and it is a zero-sum transaction. What are the major differences in recording transactions for a for-profit organization versus a not-for-profit, or are there any?For-profit organization would record certain transactions under Owner’s Equity, whereas the Not-for-Profit would use Net Assets. Also, a for-profit would not show restrictions on Owners’ Equity. List and record each transaction for S. Zee Outpatient Clinic under the accrual basis of accounting at December 31, 20X1, then develop a balance sheet as of December 31, 20X1, and a statement of operations for t he year ended December 31, 20X1. Journal Entries | | | | | | a | Cash | | 3,000,000. 00 | | | Unrestricted Contribution | | | 3,000,000. 00 | | | | | | | Equipment | | 2,000,000. 00 | | | Cash | | | 2,000,000. 00 | | | | | | c | Cash | | 1,000,000. 00 | | | Bank Loan | | | 1,000,000. 00 | | | | | | d | Supplies | | 1,500,000. 00 | | | Cash | | | 1,500,000. 00 | | | | | | e | Accounts Receivable | | 5,500,000. 00 | | | Service Revenue | | | 5,500,000. 00 | | | | | | f | Supplies Expense | | 1,000,000. 00 | | | Supplies | | | 1,000,000. 00 | | | | | | g | Cash | | 500,000. 00 | | | Unearned Service Revenue | | | 500,000. 00 | | | | | | h | Labor Expenses | | 2,000,000. 00 | | | Cash | | | 2,000,000. 00 | | | | | | | General Expenses | | 1,500,000. 00 | | | Cash | | | 1,500,000. 00 | | | | | | j | Cash | | 4,500,000. 00 | | | Accounts Receivable | | | 4,500,000. 00 | | | | | | k | Unearned Service Revenue | | 300,000. 00 | | | Service Revenue | | | 300,000. 00 | | | | | | l | Bank Loan | | 100,000. 00 | | | Cash | | | 100,000. 00 | | | | | | m | Interest Expense | | 50,000. 00 | | | Cash | | | 50,000. 00 | | | | | | n | Cash | | 100,000. 00 | | | Restricted Donation | | | 100,000. 00 | | | | | | o | Depreciation Expense | | 200,000. 00 | | | Accumulated Depreciation | | | 200,000. 0 | | | | | | p | Bad Debt Expense | | 500,000. 00 | | | Accounts Receivable | | | 500,000. 00 | | | | | | | OPERATIONS SUMMARY | | | | | | | Service Revenue | | | 5,800,000. 00 | | Less:Expenses | | | | | Supplies Expense | | 1,000,000. 00 | | | Labor Expenses | | 2,000,000. 00 | | | General Expenses | | 1,500,000. 00 | | | Interest Expense | | 50,000. 00 | | | Depreciation Expense | | 200,000. 00 | | | Bad Debt Expense | | 500,000. 00 | | | | | 5,250,000. 00 | 5,250,000. 00 | | | | | | | Net Income from Operations | | | 550,000. 00 | | | | | | | | | | | | | | | | | | | | |BALANCE SHEET AS ON 31 Dec | | | | | | | Assets : | | | | | Cash | | 1,950,000. 00 | | | Equipment | | 2,000,000. 00 | | | Supplies | | 500,000. 00 | | | Accounts Receivable | | 500,000. 00 | | | | | | | | Total Assets | | 4,950,000. 00 | | | | | | | | Liabilities | | | | | | | | | | Un restricted Contribution | | 3,000,000. 00 | | | Restricted Contribution | | 100,000. 00 | | | Net Income | | 550,000. 00 | | | Unearned Service Revenue | | 200,000. 00 | | | Bank Loan | | 900,000. 00 | | | Accumulated Depreciation | | 200,000. 00 | | | | | | | | Total Liabilities | | 4,950,000. 0| | How do capital structure rations and liquidity rations differ in providing insight into an organization’s ability to pay debt obligations? Liquidity is a company’s ability to meet its maturing short-term obligations. Liquidity is important for conducting business activity especially in times of adversity such as when operating losses occur due to economic conditions or drastic price increases of raw materials or parts. Liquidity ratios show a company’s ability to generate sufficient cash to meet its obligations. Liquidity must be sufficient to cushion such losses.If not, serious financial difficulties may result. An indication of a company’s ability to meet short-term debt obligations; the higher the ratio, the more liquid the company is. Identify and explain two situations where an organization might have increasing activity rations but declining profitability. Activity rations help assess how effectively a company uses its assets. Reference Zelman, W. , McCue, M. , Millikan, A. , and Glick, N. 2009. Financial Management of Health Care Organizations: An Introduction to Fundamental Tools, Concepts, and Applications. 3e. Hoboken, NJ: Wiley & Sons.

Humans and the exploitation of the nature Essay

This paper has been written to debate on the topic whether the humans should be allowed to exploit the nature for their betterment or not. It is indeed true that the humans are the most intelligent beings in the world; however it is not a good idea to exploit the nature for the betterment of the humans. We just have one Earth and nature is very precious to us in every way, it is therefore the duty of each and every individual living on the Earth to take care of the Earth and save the nature around us. Nature basically consists of a wide array of things in life such as greenery i. e. the plants and the trees; the wild life consists of all the precious animal species, the mountains, etc. However, the natural resources all around the world are depleting day by day because of the mishaps that are occurring due to the negligence of the humans. As it is mentioned in the paper above that the humans are the most intelligent creatures existing in the world but they do not have any right to exploit the natural resources that are God-gifted to them, firstly because it is very unethical to do so and secondly, the humans will themselves loose the opportunity to avail the benefits that they are getting from the existence of nature on Earth. Moreover, in case the humans exploit the nature today, the future generations will have no resources left to survive and to avail their benefits. There are various benefits that humans are getting from nature such as the trees provide us shade; they make the environment clean, they provide us with fruits, etc. and if people start exploiting them, a day will come when there will not be a single tree on the Earth as the removal of plants can damage the ecosystem. It is thus our responsibility to take care of the nature instead of exploiting it. (Scott, 1998). Reference Scott, G. G. (1998). Making Ethical Choices, Resolving Ethical Dilemmas. Paragon House Publishers.

Halfway House Essay

‘Aadhe Adhure’ or ‘Halfway House’ has often been described as a cross between Naturalist Theatre and Theatre of the Absurd. Interestingly, both these elements actually undercut each other as theatrical movements and are said to have polarized western theatre. Naturalism argues for heredity and a global perspective on human behavior, which is said to develop out of the social environment in which a particular individual lives. On the contrary, Absurdism believes that there are no solutions to the mysteries of existence because ultimately man is alone, forced to perform repetitive actions in a world without meaning. This play has many elements of Naturalist theatre, including a linear movement, a limited time span, an in-depth psychological characterization and a defined beginning, middle and end. However, the opening line– â€Å"Once again, the same thing all over again†¦Ã¢â‚¬  firmly typecasts it as a part of Absurdist theatre, as from the start itself there is a hint at circularity of events and a hopelessness and banality defined by the repetition of the word ‘again’ in the short sentence. Mohan Rakesh borrowed a common device from the theatre of the Absurd and in ‘Aadhe Adhure’, for the first time in Indian theatre the same actor was used to play five characters. According to Rakesh, â€Å"The woman is the central character and I want the four men to be played by the same actor. What I want to indicate by that is that it’s not the individual who’s responsible for his situation, for he would have made the same choice no matter what, regardless of the situation. Any choice anyone makes has a certain irony in it, for things turn out the same regardless of the choice.† Though it was passed off by some critics as a gimmick employed by the playwright, its thematic relevance came to the fore when Rajinder Nath, contrary to his own views on the importance of the technique, directed the play using five different actors for the roles. The conclusion was felt to be severely lacking as the notion of inherent ‘similarity’ in all the men which underlines the climax of the play failed to have the same impact. Interestingly, though Savitri implies that it is beneath their appearance, that this ‘same man’ exists, the implication is only forceful for the audience because of the simultaneous visual impact of one man playing different roles. According to Nath himself it was a powerful theatrical device â€Å"to show how according to one’s convenience the same man can put on different masks depending on the situation in which he is placed†. That the authorial view corroborates with this statement is clear from the prologue where the ‘Man in the black suit’ equates identity with fluidity and calls himself undefined. Each character, given a certain set of circumstances, can occupy the place of another. This also follows the assumption that there is no real development or evolution of character; the character at the beginning of the play will not be shaped differently by the situation, enforcing the idea of a universality of experience, that â€Å"things turning out the same regardless of choice†. The prologue defines the play as ‘amorphous’. The audience is told that there is a bit of each character in all of them. Those watching the play and even those outside the theatre. The characters are said to be people â€Å"you bump into by chance in the street† stressing the alienation of urban crowd from one another as the source of difference as well as similarity, since they are all nameless, faceless people who can easily get lost in a crowd comprising of the same. Therefore, one man can play five characters because they are, in essence, the same man. This likeness is reiterated by the naming of the characters in their dialogues, not individually, but rather as First Man, Second Man, etc. According to the Hindi version of the play, the Man in the Black Suit â€Å"has a look of civility with a touch of cynicism†; the face of the First man â€Å"expresses the helpless anguish of having lost the battle of life†; the Second Man is â€Å"self-satisf ied and yet a little insecure†; the Third Man â€Å"projects an air of someone who is committed to a life of convenience†; and the Fourth Man â€Å"looks older, quite mature and shrewd†. They have different characteristics, lifestyles and manners of speech, yet according to critics Nita Kumar and N. S. Dharan, this device makes use of the inherent notion of playacting which includes the concept of freedom; to pretend and be whatever one likes. Every man remains an actor and therefore, it is easy for him to put up a faà §ade and to hide his interiority according to the demands of the situation. This concept is emphasized not by the fact that the same man plays all the characters, but rather by the fact that it is possible for the same man to play all the characters. Simply by changing his costume and facial expression, he manages to change into a different person entirely. Therefore, the assertion of the prologue of the interchangeability of these characters is understandable. The problematic element in the play arises out of the contention of the Man in the Black Suit that interchange of roles can take place not only between the men in the play but also between the man and the woman. This strikes a discordant note as, according to critic Arti Mathur, it negates Savitri’s gender-specific struggle against social constraints. One of the biggest contributions to the ‘sameness’ of the multiple characters is that they are all men. And men, by the patriarchal definition especially prevalent in urban middle-class India, have a certain societal role which leads to their convergence into one man. Irrespective of circumstances their position in society is defined while that of the woman is defined in relation to the man. However, the statement is not entirely wrong either as Savitri, as the breadwinner of the household is actually the ‘man of the house’. Every society has an economic base and a cultural superstructure, which is derived from the base. In Halfway House, the base has shifted and it is the wife who is economically independent, however, the tragedy of the ironically named Savitri lies in the fact that the superstructure has not shifted in accordance with the base. Mahendranath has not become the domestic centre just because of his confinement to the house; Savitri is still required to fulfill her ‘womanly’ domestic duties. She is defined by the context of what it means to be a woman and has internalized the patriarchal system. This is also made clear by Savitri’s contempt of what she believes is Mahendranath’s lack of manliness. She despises his dependency on herself as well as Juneja and constantly searches for escape routes through other, more sui table men. An element of unrealism is brought in, in which even the characters seem to be aware of an underlying similarity between the men, a device not available to them as characters. Askok’s sketch of Singhania leads Savitri to ask Binni if the portrait reminds her of someone, and on being asked, â€Å"Whom†, she replies â€Å"Your father.† This intermingling of the play and the outside elements draws attention to this device. There is irony in the fact that one of the ways in which these men are actually the ‘same’ is in their exploitation of Savitri. According to critic Veena Das, these characters are seldom all of a piece, they are the broken images of a decomposing society. Mahendranath is a self-described ‘parasite’ and is later shockingly revealed to be a former wife-beater. His inability to hold the position of the ‘head’ of the family has made him bitter and suspicious; suspecting his wife of illicit liaisons, which, although hinted at are never confirmed by the text. His ‘unmanliness’ makes Savitri lose all respect for him, till their marriage is reduced to a sham of public expectations. Singhania treats Savitri with condescension and his ‘favors’ are granted with an obvious air of patronization. His pompous manner and speech is calculated to make the listener feel inferior, a fact that is explicitly stated by Ashok. However, in Savitri’s eyes his position as her boss and his salary makes him ‘superior’ and she remains silent in face of his thinly-veiled innuendos and his humiliation positioning of her as â€Å"one of his child’s ‘aunties’†. His crude behavior is a caricature of the sexual exploitation that women have to deal with in work places. Jagmohan is introduced almost an antithesis of Mahendra. He is suave, successful, with a man-of-the-world air and is presented as the eleventh hour rescuer. He is the only outcome available to her from the â€Å"hell† that her house has become to her. However, this apparent proactive position loses much of its worth as it is weakened by the fact that she waits for Jagmohan to ‘fetch’ her. She overlooks his barbs at her expense and goes with him willingly, an act in defiance of society which is only rewarded by rejection. Again, this seemingly perfect man is unable to provide her with emotional support or security. Her disillusioned return drives home the point that there is no escape route left available for her. The point of concern becomes the fact that though Savitri is an economically independent woman, her means of ‘escape’ from the house is linked to a man. Savitri, in her search for the â€Å"complete man† speaks in the language of patriarchy, as the concept of ‘masculinity’ is a derivative of society. Even though she is a ‘modern, independent’ woman, she is unable to cut off the suffocating patriarchal bonds of the environment in which she lives. The Fourth Man, Juneja is introduced onto the stage around this point. He gains the sympathy of the audience by showing kindness towards Kinni, a character who is almost absolutely neglected in the play. He comes as a voice of rationality; as an almost omniscient character. He seems to have intimate knowledge of both Savitri and Mahendranath, as well as their circumstances. His seems to be the projected authorial voice in the play. His looks and manner of speech is structured so as to make the audience favor his point-of-view and assessment of character. Juneja espouses the belief that to Savitri the meaning of life is â€Å"how many different things you can have and enjoy at the same time.† He lays the blame for the current situation of hopelessness squarely on her shoulder and her quest for the â€Å"complete man†. According to him the problem is not a social reality, but instead lies in the psychological realm. All of the men she encounters are incomplete and therefore her solution is multiplicity. Her way of filling her void is â€Å"excess†. And she is only attracted to men because, â€Å"they are not Mahendra.† According to Juneja, if she had married one of the men whom she is attracted to she would have still felt she had married the wrong man. Juneja brings in another element of unrealism by accurately recounting the encounter between Jagmohan and Savitri because â€Å"in his place I would have said the same†. Once again this brings forth the ‘sameness’ of these characters, as Juneja’s claim is validated by Savitri’s shattering realization- â€Å"All of you†¦every one of you†¦all alike! Exactly the same. Different masks, but the face†¦? The same wretched face†¦every single one of you!† The tragedy of the realization is heightened by Juneja’s ruthless perusal- â€Å"And yet you felt you had a choice†¦? Was there really any choice? Tell me, was there?† In the above dialogues lies the greatest significance of that particular theatrical device. It brings out a clear dichotomy between the ideal and the real. What Savitri has been pursuing all along, the ‘ideal man’ does not in fact exist. The notion of her having had a ‘choice’ has been illusory all along; she is trapped in a world with no exit. The play shifts focus to lack of freedom for a female in urban, middle-class India. The tragedy is that Juneja’s speech provides a dual closure for Savitri; both in her search for the ‘perfect’ man who can â€Å"fill her void†, as well as an acknowledgment that she shall never gain satisfaction, and related to that, happiness. In naturalism, free will is not denied but is contained and confined within the environment in which the individual lives. Savitri’s free will is her ability to choose but the fulfillment of that choice depends on the context. Her freedom is linked to a man. She is free to choose which man, but it has to be a man. The illusion of choice arises from the four men and her ‘independence’ is related to shifting from one man to the other. In the prologue, the Man in the Black Suit had asked the existentialist question of ‘who am I’. This is now problematized, as the dramatic innovation of using the same man for multiple characters casts doubt on whether there is an ‘I’ at all. ‘I’ refers to individuality, the existence of a self different from the ‘other’, a projection that the men in the play are all different which is negated through Juneja’s speech. Savitri uses the language of social realism to justify her belief that she moves on to other men because Mahendra is not the right man. Juneja uses the language of absurdism to articulate that there is no ‘right man’; her search is futile because such a man does not exist. All the men in her life are essentially the same man and can only satisfy her for a limited period of time. Surprisingly, the text does not lead up to its realist conclusion; that she is trapped because of the prohibitions of the society in which she lives, a world in which a woman has no choice in her own destiny. It, in fact, veers from its apparent initial realist stance of ‘all men are the same in a patriarchy’ and seems to suggest that all men are the same only to Savitri. Halfway House has often been described as a woman-centric misogynistic play. â€Å"Even as the play builds up a dark vision of trapped humanity, it weakens the force of its statement by simultaneously cutting Savitri’s credentials.† (Nita Kumar). The play does not imply that if the only conditions were different or could be changed then Savitri would be able to escape from the ‘trap’, instead her sexuality is morally condemned, she ought not be able to escape. Juneja contends that all the men who had come into her life were different. They were individuals with their own diverse characteristics and, according to critic Veena Das, what made Savitri see them as parts of the same fractioned entities was her own â€Å"diseased imagination†. Juneja, in saying that all men are the same, is trying to define the essential nature of desire. Desire is always in excess of the individual and can never be completely satiated. The frightening aspect of desire lies in its limitlessness. All men are the same because they are looked at through Savitri’s desire, the fact that they will all eventually be unable to satisfy her is the reason for their ‘sameness’. Their amorphousness derives from the fact that they change in accordance with Savitri’s assessment of them. The transcendental nature of desire will always make her move on to other men and search for completeness. It seems to suggest that every being is half-incomple te, it is not a tragedy, but rather a fact of existence, and Savitri, in her search for masculine perfection and inability to accept this fact, is herself responsible for her ruination. Unexpectedly again, the play doesn’t build up even to the absurdist conclusion; it does not suggest that everybody in essentiality is like Savitri, because desire is universal, exceeding every individual. Instead, the elements of Naturalism as well as Absurdism are developed only to lay the blame on Savitri’s inherent nature, which is considered responsible for the destruction of this particular family. She stands the last accused and the play ends before there can be any possibility of defense on her behalf. Interestingly, though certain relationships in life are deterministic, including that of a mother-daughter, sister-brother, etc, the same cannot be said about spouses; however, in this very context the language used by Juneja is the final language of containment, of absolute, rigid determinism. As earlier mentioned, the device of one man playing multiple roles is that of the actor and is not available to the character, and therefore it is significant that the visual of the play itself shows that nothing can be changed. Juneja’s speech corresponds to the structure of the play, which has to come from without and therefore indicates a concurrence with the playwright’s view. According to critic Kirti Jain, this device loses a little of its relevance in the actual stage performance as the focus of the audience is drawn primarily towards the clothes, mannerisms and voice of that one actor rather than the thematic import. However, there is no ambiguity on the fact that the nature of the play cannot be understood without a reference to this particular device. Through this, the area of thrust changes entirely from the ‘universality of human experience’, and the ultimate censure is not of society, or even the circumstances, but rather of Savitri’s desiring nature. Her lack of constraint and implicit sexuality stand accused as the essential reasons for what makes her home an incomplete, halfway house.

Statement of purpose Personal Example | Topics and Well Written Essays - 750 words - 2

Of purpose - Personal Statement Example This was a tremendous opportunity to expand on my knowledge of contemporary teaching techniques and better engage students with the modern curriculum. Throughout my academic career, I was exposed to a wide range of theoretical principles and assumptions regarding teaching methodology and child development. Through my experiences at Ibn Khuzaymah, I was able to gain a very practical and sophisticated experience in applying theoretical knowledge to tangible educational practice which solidified and, in some instances, challenged a variety of hypotheses about what constitutes effective teaching and learning strategy development. This professional understanding has strengthened not only my commitment to becoming a first-class educator but also improved my ability to experiment and test traditional teaching standards, which has created a more efficient and productive instructor. This position at the local high school was also very satisfactory at a personal level as I was able to assist s tudents in building trust with the instructor, helping them to concentrate and focus their minds more productively to solve problems associated with the curriculum. Utilizing contemporary theory and best practice models that focused on socio-psychological strategies to gain students’ attention and interest, I was able to establish a learning environment that was highly conducive to laying the foundation of reciprocal respect that genuinely engaged students and provided more effective learning outcomes. My academic education did not necessarily provide me with the knowledge and understanding of the importance of addressing and considering students’ emotions. This experience at Ibn Khuzaymah legitimately opened my eyes to the necessity to balance metacognition with psychological models relevant to this age bracket in order to produce triumphant student learning outcomes that maintained long-lasting appreciation and student esteem for the instructor. My primary goal today is to begin studies in the Master’s Program in Statistics at your university. All my aforementioned professional experience has given me a new appreciation for the social and educational value of conducting primary research studies. Being able to appreciate, understand and evaluate quantitative data maintains significant benefits to society and the educational system across the world, and I am realizing that statistics provides the foundation for a legitimized understanding of science and society. As a person who genuinely enjoys statistics, coupled with a newfound respect for the global relevance of scientific research, I sincerely believe that study in this program is well-suited for my talents and posture regarding this important dimension of modern society. Hence, all aforesaid experiences and understandings considered, I legitimately believe that I can offer substantial and diverse benefits to the university. I have a rather balanced approach to learning, being able to work both independently and cooperatively with culturally and professionally different individuals to produce positive team outcomes and establish new best practice behaviors in the

Naturalism Essay Example | Topics and Well Written Essays - 750 words

Naturalism - Essay Example In theatre, it has come to mean a ‘natural’ depiction of characters, as if they are not actors on a stage but instead real people undertaking normal activities without a darkened theatre audience observing them. To understand how one term can apply to all of these genres, it is helpful to look at each one separately. Naturalism in art was perhaps given its greatest emphasis during the Italian Renaissance as artists began learning the mathematics and sciences of the ancient Greeks and Romans. â€Å"Henceforth, the surrounding world was to be represented as it appeared to the eye. To this end, a new basis to pictorial composition was given through the invention of linear perspective †¦ Depth was suggested by depicting the progressive decrease in the size of objects and figures as their distance from the observer increases – an illusion which in painting becomes truth. (Lemaitre & Lessing, 1993, p. 17). Raphael (1483-1520) also pushed the idea of naturalism with his focus on composition, balance and unity. â€Å"The movement of the body was now understood as an analogy for the animation of the spirit or the emotions; the external structure of a scene proclaimed its inner content. Everything in the picture was aimed at harmonious balance; each individual figure became an inseparable pa rt of the whole† (Toman, 1998). In literature, naturalism referred to an attempt to explore the base, or natural, causes of events, reactions and personality traits. This was a popular concept in the nineteenth century as writers began exploring the difference between realism and naturalism. â€Å"The main difference between Realism and Naturalism is that Realism seeks to simply explain things as they really appeared to be while Naturalism tries to explain scientifically the cause† (Realism and Naturalism, 2007). Emile Zola and Jack London are two well-known naturalist writers. While

Report of Collaboration Manager (interview) Essay

Report of Collaboration Manager (interview) - Essay Example Costco world headquarters are located in Washington and Korea home-office is located in Costco Yangpyung location. Costco in Korea also targets lower end customers by selling products at low prices, often at very high volume. Costco is experiencing rapid growth in its Asian business. Ever since Costco entered into Asian market, international outlets has experienced a sales growth of 7% in 2011 and Costco’s best performing store is in Korea. Costco does not provide multiple brands varieties where the item is essentially the same except when it has a house brand to sell, often under the Kirkland trademark label. Their distribution system focuses on a high volume of sales from single vendors, allowing further reductions in price and lower marketing costs. Through the collaborative manager interview report, more research and investigation was held on how Costco Korea implemented its business strategy in Korean market and successfully created the collaborative work environment in t heir distribution channel. In addition, the report focused on their collaborative strategy of how the company communicated with Costco buyers in order to meet local customer demands and requirements. In order to gain visibility into performance at Costco Korea, it was necessary to interview Korean branch of collaborative manager, Sung-Gu Ryu to gain his personal experience and perspectives on overall category of growth trends. Role of the CM in Helping the Organization Achieve Its Strategic Objectives Collaborative manager entails the working together of managers in an organization to achieve the goals and the objectives of the organization. Sung-Gu Ryu outlined the strategic objectives of Costco Corporation which gave directions to his role as the CM. To begin with, Costco Corporation operates on a best value and best price principle. This means that Sung-Gu Ryu has a role of developing and implementing quality assessment tools that aim at investigating the satisfaction of the cust omers with the quality of products being produced by Costco Corporation. Moreover, Sung-Gu Ryu has the role of ensuring that customers are satisfied with the price of commodities being offered compared to its competitors, in bid to offer the best price for its commodities. Acting ethically, is another strategic objective of Costco Corporation and Sung-Gu Ryu as the CM has a great role in ensuring that this strategic objective is achieved. Firstly, he ensures that the managers working in collaboration with him are managers of integrity and have a high moral standard. This ensures that their operations are morally and ethically upright as pertains to how they treat their customers, employees, suppliers and competitors. Moreover, it is the strategic objective of Costco Corporation to never lose sight of the reason why they are in operation. Sung-Gu Ryu being the CM has the duty of en-culturing the staff to this organization culture and ensuring that every employee knows the vision and mission of Costco Corporation. So as never to lose sight of this vision, it is embedded on products developed by the Corporation and Sung-Gu Ryu also comes up with slogans aiding in achievement of Costco Corporation’s strategic objectives. CMs background, Obstacles Faced, Process Used to Develop External Relationships and Achieve Significant Milestones Sung-Gu Ryu, is the manager who is bestowed with